Nutcase (Tony Williams)
Tony Williams is an English author who (like Jon McGregor) came to give a talk at the university where I work. His novel, Nutcase, is deeply intriguing, not just because it’s an adaptation of Icelandic sagas (I wish I knew more about them; his talk definitely made me want to know more!), but because of its style. Williams discussed how what made him interested in Icelandic sagas was their lack of interiority, in the sense that reading them is akin to this happened, then this happened, then this happened. A focus on the litany, rather than the emotional. So he decided to write a novel in contemporary Sheffield, written in the style of ancient Icelandic sagas. It’s a fascinating experiment – in terms of both reading and writing. It made me think a lot about how so many novels (at least the ones I’m familiar with) are based on interiority, in terms of “showing” us the inside of a character’s consciousness.
Another interesting aspect of Tony’s talk was his path to getting published – no agent, and communicating directly with the publisher (good old Salt! Gotta love their anthologies ;)). It was a good message for the students to hear, I think. And it’s also good to witness how genuinely good art (like Alex Garland’s adaptation of Annihilation) isn’t always coming from the biggest, flashiest sources.
Tony and I and the rest of the staff got dinner after the talk (I always order the exact same thing, a medium rare hamburger, as it’s one of the cheapest things on the menu, but I am thinking of switching to the halloumi salad just for a change). I talked for a bit with Tony’s friend, who he had gone to school with. Apparently (if I’m remembering correctly) one of the parties they hosted (attended?) as youth made its way into the book – I wonder if it was the basis for one of my favorite scenes in the novel, in which a fire is started due to someone burning U2 CDs in a biscuit tin.
Reading this book reminded me of what a deeply exotic and strange country England is to me, still. There are so many little corners and worlds that I just don’t know about, never will know, though this is probably true of every single place I have ever lived (and indeed, maybe feeling not at home is what makes me feel most at home). Whenever I ask anyone where they’re from in England, I rarely know their answer (but maybe English people would have the same reaction? Part of me thinks… no). There’s so much about England I still don’t know, even though I’ve lived here for six years.
I read Nutcase in a single sitting, on my train ride home. Definitely check it out – support independent publishers!